Wednesday, April 29, 2009

Heeding the Muse


When I was in grade school, my mom used to work at our town library. One year they decided to get rid of some old things, so Mom brought home this bronze figure. She could never figure out what it was, but after I grew up, I decided it must be the Muse Erato, who was the muse of lyric poetry. Since I'm a poet, I asked Mom if I could have it someday, and she let me take it then.

Now that I'm sketching again, I decided to sketch the figure. I did it because I've always loved it but also because I think it's a good reminder to listen to one's muse.


I'm still fighting the inner voices that tell me this pursuit of sketching is silly, childish, and a time waster. That's why I keep posting about it so much. I'm fighting hard to reprogram my thinking.

Right now, I need all the muses I can find.

Little Dog's Rhapsody in the Night (Percy Three)

This poem by Mary Oliver is so sweet and so true. It reminded me so much of Smokey that I read it aloud to him.



He puts his cheek against mine
and makes small, expressive sounds.
And when I'm awake, or awake enough

he turns upside down, his four paws
in the air
and his eyes dark and fervent.

Tell me you love me, he says.

Tell me again.

Could there be a sweeter arrangement? Over and over
he gets to ask it.
I get to tell.

Monday, April 27, 2009

Bits of Fun


My life hasn't been all heavy-duty emotional processing the last month, although at times, it's felt like it. I thought I'd share some of the other things I'm doing.

This vest is made of bulky, self-striping wool. It's a folksy, unfinished style that's different from what I usually make but kind of fun. I've had the pieces knitted for a couple of months and only just blocked and sewed it a couple of weeks ago. I felt foolish finishing a winter vest in April, but we had a couple of days in the forties the last two weeks, so I was able to wear it after all.


I've been planting. Lettuce, spinach, carrots, and beets have been planted outdoors. I'm starting squash, cucumbers, and basil in the house. It feels good to be growing vegies again. I haven't for a couple of years.



Here's a sketch I did yesterday, based on a Japanese lantern at the Botanic Garden. I'm not satisfied with the proportions, but I'm pleased with the details. So it goes.





Friday, April 24, 2009

Synchronicity and Signs

First, if you haven't read yesterday evening's post, you might want to scan it before you read this. (I say scan because it's long.)

Second, God is officially freaking me out.

As I recounted last night, I felt confident enough in the internal leading I received plus the scheduling coincidences to go ahead and register for the art class. But I laughingly told God that if he wanted to seal the deal, it would be nice if we received a $200 refund in the mail from some unintentional overpayment so I could pay the class tuition.

This is what came in the mail today. I overpaid our car insurance. Don't ask me how I did it because I used the invoice the company sent me.

Cue in Twilight Zone music here.


Thursday, April 23, 2009

In New Territory



This is my latest sketch; it's of my Dala horse, which is a type of Swedish folk art. Sketching plays a role in this post, so I thought I'd post it.

I'm not sure if I have ever mentioned this, and I realize that there are going to be people who are skeptical about what I'm about to describe, but sometimes I receive what I call visions from God. They're like waking daydreams in which I see myself in another place doing and experiencing very specific things that involve all five senses, except that unlike a daydream, I can't direct what happens. These visions are usually very metaphoric, and Jesus usually appears in them with me and guides me in some symbolic action or tells me some message I need to hear. These have happened since my early twenties, from the first time I started doing listening or centering prayer.

For years and years--from the beginning of the visions until just last year--nearly every one of them took place in the same location. It was a forest with a lake at one edge and a low, rocky hill at the other side. A stream ran down the hill to the lake, and near the hill was a cabin where we went sometimes. These things don't come regularly. I've had periods of a year or more when no visions come at all. And I've had periods when they come once a week or so. I never know why they come or don't come. I'll be sitting trying to center or already meditating and suddenly there we are.

Then last year, God led me across the water of the lake to a new territory, and he told me I wasn't going to return to the forest where I'd been so long. The new place seemed barren and rocky, at least the part by the lake. We arrived in the dark, and Jesus built a campfire and he told me I was entering into new territory in my life, that he knew where we were going, and that I mustn't strain to see too far ahead but trust that he knew what was beyond the meager light cast by the campfire. A few days later, I went back and we climbed a short way up a cliff and stopped on a rocky ledge.

And that was where he left me. I haven't been back for a year until this week.

The other day I was listening and waiting and suddenly I was back in the new territory, still on that rocky, barren ledge. It was still dark, and Jesus and I were once again sitting by a campfire. And Jesus asked me if I wanted to climb some more. I asked where, and he said I didn't need to know that, to just watch him.

So we began to climb up this nearly vertical rock wall. I could never see any further than my next handhold and I simply had to trust that I would find a place to put my feet. It didn't take very long before my legs began to ache and tremble and my arms started to hurt. We paused so I could press myself against the wall and rest for a few minutes. Then we continued going upward. Finally, I saw a twisted tree extending over an edge of rock and I pulled myself up to a new plateau. The Lord told me we were going to rest there a while.

Then he asked me, "What have you learned?"

Me: "I can't see further than the next step."

Jesus: "What else?"

Me: "This journey is difficult."

Jesus: "What else?"

Me: "I can't do it when I'm carrying heavy burdens."

Jesus: "What else?"

Me: "That I can trust you."

Jesus: "And that's all you need to know."

So I took one of those steps today. As those of you who read this blog often know, about a month ago, I bought colored pencils and started sketching again regularly for the first time in more than 30 years. Two weeks ago, I became a member of the Chicago Botanic Garden for the first time ever. I did it because I wanted to go there for solitary walks as some of my "artist's dates." I also thought I might do some sketching there.

Yesterday, I opened my introductory copy of the members magazine, and I discover that they give art classes at the Botanic Garden. They are giving an Intro to Colored Pencil class there from June 6 to July 18, Saturday mornings, three hours at a time. Garden members received 20 percent off tuition. Michael and I originally planned to take vacation the last week of June, but six weeks ago when I went to book the cottage we want, we discovered we couldn't get it till July 25. Hmmm. Interesting coincidence, yes?

I got so excited about this that I nearly hyperventilated. None of this makes any sense to me except that it feels so right at a gut level. It's not the direction I intended to take with my creativity. It doesn't fit in my personal "Five-Year Plan" for completing certain goals as a writer. I guess maybe I'm not supposed to be a Stalin with my creativity. There is no way in the world I'm going to ignore an opportunity that gave me a rush as big as falling in love.

So I'm trusting my instincts. I signed up for the class today and handed over my credit card.

I can't believe I'm doing this. 

Tuesday, April 21, 2009

False Conclusions


One of the things about doing the morning pages is that by making myself fill three sheets of paper, I'm digging deeper than usual. By the time I complain about my current job, review my To-Do list, describe the weather, and recount the story about the annoying women in the post office, I still usually have at least a page and a half to fill. So then, unless I want to produce utter drivel for the next 15 minutes, I have to start recording my worries, my fears, my self-criticisms, etc.

Now, having had approximately seven years of therapy over the course of my life, I thought I'd uncovered all the buried negative messages there were to uncover. I was wrong. The other day, as I was nearing the end of my morning pages, a negative statement popped out that stopped me cold.

I was describing my theory about why I tend to be over-responsible. As I've mentioned before, my mother is a woman with a lot of hurt, a lot of damage. And from an early age, I felt that it was my job to make all of that pain better . . . but of course, that would be impossible for anyone to accomplish, let alone a young child. Since I couldn't begin to ease her emotional pain, I decided to do what I could to ease the external circumstances. I became a straight-A student in school and did a lot to help at home. I decided that whenever something wasn't being taken care of, it was my job to see if I could do it.

After I described those feelings, the sentence that popped out was "That's all you're good for."

Let me hasten to explain that neither of my parents ever, ever said such a thing to me. It was my own harsh judgment about myself. The thinking went along the following lines: "I can't make Mom happy, so I'm a failure, and nothing will ever change that. I'll do all this other stuff instead. That's all I'm good for."

The good news is that the minute I wrote that sentence in my journal, I instantly recognized it as a lie and a blasphemy . . . a blasphemy in that we are all made in the image of God and thus have some of the sacred within us. No human should ever be limited by That's all you're good for because we were created for God's own pleasure.

So I continue to be astonished by where The Artist's Way is taking me. Astonished and grateful.

Monday, April 20, 2009

Fear to the Front, Frustration Behind


Late last week, I committed a mini rebellion. I took some unscheduled time off. I had a brief lull in my workload, so I just stopped early on Thursday and took Friday off.

Friday I went to the Chicago Botanic Garden by myself to walk the 2.6 mile path that goes around the perimeter of the gardens. It was my artist's date for the week. Instead of taking my iPod, I deliberately chose to spend the time with my own thoughts, and the result was quite interesting. At the end of the walk, I felt as calm and centered as if I'd done yoga.

Afterward I struggled with some emotional kickback--inner scolding about being irresponsible and self-indulgent. Self-indulgent seems to be my favorite accusation these days. I believe that what's happening is that I'm not only changing behavior, I'm consciously trying to change the priorities of a lifetime, and my conscience or what-have-you is resisting.

Part of the difficulty is that I have an opportunity for taking on another extra freelance job. There are many aspects of this job that are compelling--it's a small company with fewer politics than big corporations, and I love the programs they're doing--and the practical side of me says that I should not turn down a chance like this. But if I do pursue it and get accepted (it hasn't been definitely offered), then I'll have to go back to juggling two jobs. Will I be throwing away all the work I've done of trying to give my art more priority? 

On the one hand, I'm doing the Artist's Way, which tells me I need to carve out time for solitude and time to play and a significant chunk of time to do my art--and my deepest inner spirit is crying and saying, "Yes, yes, yes, I've needed this for so long."  Yet the old, over-responsible practical side is saying, "Take as many jobs as you can. Make as much money as you can. Those dreams can wait till retirement."

The thought of halting the inner work I'm doing and postponing it till retirement feels like slow starvation. But the idea of giving myself permission to decide "I will do this much freelance work and no more" frightens me too. I'm afraid that if I burn bridges behind me, the "universe" will punish me by taking away opportunity and that at some point I will no longer have enough work to support myself and it will all be my own fault. This is partially in reaction to last year when we truly did not have enough work.

On the other hand, last year when I was low on work, I felt that I was being led to try to explore non-educational writing. How can I explore those options if I keep on taking too many ed. pub. jobs?

So you see, I'm struggling mightily with confusion and ambivalence. I have at least a week before I have to decide anything definite, so I'll be praying for clarity.

In the meantime, here is one result of some of the artistic play I've been doing:


Wednesday, April 15, 2009

The Wrestler

I've been feeling major emotional exhaustion since the flurry of intense posts last week (and even the week before . . . dating back to the Minefield poem). It feels like I haven't posted in ages, but I guess I really just skipped two days.

I had another interesting experience Sunday, akin to the twisted knee incident on Good Friday.

Let me start by saying that I don't wear heels anymore. I wear mostly clogs or athletic shoes or flat sandals. But this spring, I bought a new outfit, and I got some cute shoes to go with it. They have heels, low heels, but still heels. I wore them on Easter. All day.


That night, shortly before bed, I began having spasms in my left hip. They continued the next morning. I was pretty sure it was related to my sciatica, aggravated by standing around on Sunday in heels (short as they are).

Yet, as I sat writing in my journal Monday morning, the pain in my hip reminded me of the story of Jacob wrestling with the angel.

Jacob was left alone; and a man wrestled with him until daybreak. When the man saw that he did not prevail against Jacob, he struck him on the hip socket; and Jacob’s hip was put out of joint as he wrestled with him. Then he said, ‘Let me go, for the day is breaking.’ But Jacob said, ‘I will not let you go, unless you bless me.’ So he said to him, ‘What is your name?’ And he said, ‘Jacob.’ Then the man said, ‘You shall no longer be called Jacob, but Israel, for you have striven with God and with humans, and have prevailed.’ Then Jacob asked him, ‘Please tell me your name.’ But he said, ‘Why is it that you ask my name?’ And there he blessed him. So Jacob called the place Peniel, saying, ‘For I have seen God face to face, and yet my life is preserved.’ The sun rose upon him as he passed Penuel, limping because of his hip.

I've always sort of identified with Jacob in this story. All my life people have said variations of the following statements to me: You think too much. Lighten up a little. Why are you so emotional? Don't take everything so seriously. Just get over it.

The thing is statements like that always sound to me like, "Why can't you be someone else?" If I could process things differently, if I could work through my issues more quickly, I would.

Sometimes I guilt myself about being so intense or still being wounded. But remembering the story of Jacob helped with that. It felt as though God was telling me that it's all right if I'm the kind of person who has to wrestle with him to get my blessing. He's going to bless me all the same.


Sunday, April 12, 2009

Happy Easter



The Lord is Risen. He is Risen Indeed.

Saturday, April 11, 2009

More Context for Healing


So I realized that yesterday I dumped a whole lot of stuff on the blog without offering the big picture. I see myself as in the middle of a process I've been through many times before, but I forgot to explain that.

First, my view of healing is that it often happens in layers. When I was in my twenties, I was stymied in virtually every significant area of my life. I've gone through lengthy and intense periods of healing, but each one seemed confined to a specific area. For several years the task was learning not to fall in love with cold, rejecting men. Then there was a multi-year process of learning I didn't have to be the workhorse and rescuer at the office. And there were others too. My belief is that God is very, very gentle with us, and he knew perfectly well that to try to reconstruct my whole personality all at once would be more than I could tolerate. So we've just been moving from project to project as we journey through the decades. It looks like my 50s will be the decade we tackle my artistic identity.

Second, when I analyze current issues in terms of the things that happened in my family, the main purpose is to figure out the coping mechanisms that I developed to survive my childhood but which are holding me back now. What my mother did 30 years ago is utterly beside the point . . .  except where I'm still clinging to the old defense mechanisms. In the examples I wrote about yesterday, the harmful defensive mechanism that I have yet to unlearn is the decision to be a "responsible person" in the majority of my life and to squeeze my artistic identity into the margins that are leftover. That coping mechanism is still holding me back. (The most recent example was working extra jobs and neglecting to do any writing at all from November through February.)

When I find an old coping mechanism that is still in operation, then I start to unpack my past to figure out why I still do it.In this case, by writing my morning pages for six weeks, I made the discovery that I still sometimes view God through the same lens that I used to view her.

It is that linkage--seeing God as my rejecting mother--that I'm trying to break.

Whenever I go through something like this, I need to do a lot of detective work in the past to understand what's happening and why. Then once I've finished the analysis, I wait to see what God will do to assist me with the healing. The cognitive work never brings about the full healing but I don't seem able to recognize God's redemptive message until I've done the groundwork first.

I'll give you an example. It took me a long, long time and a very destructive relationship before I understood my pattern of choosing unloving men. Once I'd sorted it all out and was ready to change, I listened to see what God had to say, and he told me, "I will build you a house where you are happy and know that you are loved, . . . and I will do the work." When I received that message, I understood that he was saying I wouldn't have to work to win my husband's love. That part would be a gift. And when Michael came into my life, it was true, and . . . we've been happily married for 19 years now.

What I posted yesterday was a summary of the "detective work" I've done so far on the artistic identity issue. There may be more excavation to be done, or I may have finished the bulk of it. It's still too close for me to know.

However, I can report that God has already started his liberating responses. Three things happened yesterday that I'm sure will help me to move forward.

Early yesterday morning, I went to church to do an hour in the Maundy Thursday vigil. (For those of you not from a sacramental church, what that means is that we sit in the chapel with the leftover bread and wine from the communion that took place on Thursday night. It is a symbolic way of praying with Christ in the garden of Gethsemane.) I always love that time and often profound things happen there. This year, I received the vision that all the rejection, all the hurt from my childhood was like a sack of rocks I was still carrying around with me. It was as though I had been stoned and after the punishment, I went around collecting and saving the very rocks that had broken me. And I sensed that it was time to lay that sack of rocks at the foot of the cross.

At the noon service on Good Friday, we do something called Veneration of the Cross. It's a way to remember Christ's sacrifice by kneeling in front of a cross, meditating on the passion for a moment, and then kissing the foot of the cross. The whole practice is optional, but I usually do it, and this year as I did, I visualized hauling up that weighty sack of rocks and leaving it there. (I joked with Michael later that I felt sort of sorry for Altar Guild having to clear them away, but he assured me that they won't find those invisible rocks nearly as heavy as I did.)

Also, during the sermon, the speaker closed with an absolutely beautiful blessing that had me blubbering:
A Blessing of Solitude

May you recognise in your life the presence, power and light of your soul. May you realize that you are never alone, that your soul in its brightness and belonging connects you intimately with the rhythm of the universe. May you have respect for your own individuality and difference.

May you realise that the shape of your soul is unique, that you have a special destiny here.

That behind the façade of your life there is something beautiful, good and eternal happening.

May you learn to see your self with the same delight, pride and expectation with which God sees you in every moment.

John O'Donohue


While all of this was going on, a very odd thing happened. We do a lot of standing and kneeling in the Good Friday service, and during the Sacred Collects--a long prayer that comes before the Veneration of the Cross--my right knee suddenly got shooting pains in it as I knelt to pray. It continued to hurt during the next kneeling part, and so I started sitting whenever everyone else knelt. My husband whispered that he didn't think I should do the veneration this year, and I whispered back, "No, I'm going." I was not going to give up my symbolic act of dumping those damn rocks.

At the end of the whole service, I was sitting in the pew singing the final hymn, and I felt another message from God. I heard very clearly: "Remember this sore knee that kept you from kneeling. I want you to view it as a sign that you don't ever have to grovel."

Doesn't God have a wonderful sense of humor?

(P.S. I don't think God twisted my knee; I think he just used it as an object lesson.)

Friday, April 10, 2009

Why Hast Thou Forsaken Me?


Except in the most self-referential way, this isn't a Good Friday post. I'm saying that up front so you can choose whether to read it.

Sherry, at A Feather Adrift, wrote a thoughtful post yesterday about the moment on the cross when Jesus cried out, "My God, my God, why have you forsaken me?" If you are interested in a theological reflection of the day, I recommend the post to you.

On a personal note, I woke up this morning realizing that I am living in fear of experiencing just such a moment.

I am having trouble sleeping lately. Doing the Artist's Way has stirred up some very old issues, and I am quite intentionally and methodically violating some old internal taboos.

I've written before that my mother is narcissistic and that one reason I struggle with my artistic calling is that I expect the world to be as indifferent to whatever I accomplish as she was.

That is only half the story. The other half is so filled with pain and shame that I thought I would never discuss it here. Well, I've decided to do it.

I will never know what happen to damage my mother so badly, but she is a very wounded woman, and she waited 17 years to have a daughter that she could ask to fill her needs. What she didn't expect is that I would turn out to be a strong-willed little person who would have her own sense of what she wanted to do and who she wanted to be. And as I was growing up, whenever I did something that my mother found unbearably wounding or threatening (and these things were not outright rebellion, mind you, but normal kid stuff), she would set out to reel me back in by emotionally annihilating me.

I know how harsh and crazy that sounds, so I'll share a couple of stories to demonstrate what I'm talking about. These are from the story I recently wrote, which is the first time I've ever attempted to tell the emotional truth of living with my mother. Even though they come from a story, they are not fiction. They are the life I lived.

I was six years old, and my first-grade class at school was in a frenzy of excitement because the new movie Mary Poppins, starring Julie Andrews, was about to come to town. The three first-grade teachers had spent weeks reading us the Mary Poppins stories because all three classes were going to go watch the movie during a school day as a field trip. Once I turned in my permission slip, I could think of little else. At the grocery store, Mom bought me one of the Mary Poppins stories, which had been issued by Golden Book, and I spent hours poring over the illustrations because, even though I was an advanced reader for my age, I couldn’t manage the text. Instead I used the pictures to remind myself of the stories I’d heard in school. I loved the character of Mary Poppins and thought her magic, which always set things right, was the most wonderful thing in the world.

The Sunday before the outing, I was lying on the living room floor looking at a page that showed blossoming fruit trees on Cherry Tree Lane. Mom came in and asked me to do some minor chore, and I said, “Can’t I do it later? I don’t want to do it now”

The eruption was instantaneous. In a towering fury, she began to enumerate all the many things she did for me that she didn’t want to do, and she called me a terrible, ungrateful daughter. I stared at her silently with tears running down my face. It was the first time I could ever remember her treating me that way, although I had seen her fury towards my father and older brothers often and been horrified by it. I didn’t know the story of Medusa at that young age, but when I learned it later, I realized how apt the legend was. In a horrifying instant, the face of the mother I loved had turned into a vicious monster who hated me. In the face of such a terrifying transformation, I was paralyzed with fear.

Then she paused in the midst of her tirade as though struck by a thought, and a look of satisfaction crossed her face. “I’ll teach you a lesson. I won’t let you go to the movie.”

At that moment in my six-year-old life, there was nothing she could have taken from me that would hurt half so much. Her announcement shocked me into words at last. I pleaded, I said I was sorry, and I promised to do what she had asked of me. She refused to relent. In fact, the more I begged, the less she looked at me. (As as aside, my mother always hated how easily I cried and did her best to shame me into not crying. I wouldn't let her take that from me.)

The only thing I could think of was to turn to my father. I ran downstairs and found him in the basement, sorting various sized screws into old baby food jars, an activity he did when he was hiding from my mother. Through my sobs, I told him what had happened, and he immediately went upstairs. I never heard what he said to Mom or she to him, but the following day I went to the movie with my classmates. Yet even though I was able to partake of the long-awaited treat, the joy of it was spoiled for me.

After that, an undercurrent of fear always colored our relationship. And yet I loved my mother too and desired desperately to make her happy. I bought her chocolates at Christmas and made her tissue flowers whenever she went to the hospital. When I was 9, I single-handedly cooked Mother's Day dinner for ten people, and at about the same age I started making surprise Easter baskets for everyone in the family. And I worked harder than ever in school. Rarely did I feel that any of my efforts made a difference.

For some reason that I still don’t understand, after the Mary Poppins incident, I never again asked Dad to intervene with Mom, even though similar episodes occurred several times during my childhood. As I grew older and tested my independence, my mother’s attacks on me became at least an annual occurrence.

Even leaving home wasn’t enough to break the pattern. My freshman year of college, my parents drove the 80 miles to visit me one Sunday. Usually, they left for home again not long after we’d had supper because they got up early on workdays. During that particular visit, I casually asked if they knew how long they were going to stay because friends had invited me out for pizza at seven, and I wanted to give them an answer. My mom got quiet, but she said nothing except that she guessed they’d go home about six.

Two days later, the letter arrived. “Obviously, your friends mean more to you than I do,” she had written. “Now I realized where I stand with you. I will always love you, but don’t bother to consider yourself my daughter anymore. You just go ahead and live your own life. Maybe someday you will understand everything we’ve sacrificed for you.”

By then, my role in responding to such an assault was well learned. I called her immediately, and over the phone, I apologized, explained, pleaded, and sobbed. She listened stonily and would not reconcile. I called again the next night and the night after that. I don’t remember exactly how many days she made me grovel, but I do know that she never once said, “I forgive you,” the words I so desperately needed to hear. Instead, one night she answered the phone and just began to talk as though nothing had happened.

These were not two isolated incidents but a pattern of something I experienced again and again from the time I was a very young child to the time I finally confronted her when I was about 25. Just the simple act of telling her calmly that this kind of treatment angered me was enough to activate her own deep-seated terror of abandonment and rejection, and she never did it to me again. But by then the damage was done.

To survive that childhood I kept my wants and my hopes and my plans for my life underground and I pursued them with little discussion. My goal was to stay under the radar so my mother wouldn't detect that I was "betraying her." You see, I could never tell ahead of time what action on my part would trigger one of her attacks on me, so I got straight As in school, acted responsibly around the house, took church seriously, never once fought with my mother, and tucked my dream of living independently and being a writer in the edges of my life that remained.

Now that I'm doing the Artist's Way and I'm being more forthright about my artistic identity and I'm pursuing it more openly, I'm feeling a lot of old fear.

Put simply, I am afraid that if I haven't read God's mind correctly, if I am being too willful, too independent, and too selfish, that he will either turn his face from me as he did from Jesus on the cross or suddenly and arbitrarily turn the face of rage on me as my mother used to do.

The prospect absolutely scares me to death. Now, mostly the adult part of my personality believes that I should be pursuing the course of using my gifts more fully. It is that inner child who lived for so long with the fear of being disowned that is frightened.

I think the only thing I can do is to be patient and loving with her as I doggedly pursue my course.

My other fear is that even if I pursue my art more intentionally,  nothing will change and I will still get as many rejections and from that I will conclude that I have displeased God. To counter that, I'm trying to change my mental construct for what I want out of this process. That is another complicated subject that I'm not ready to write about, but I mention it so that no one will think I'm indulging in magical thinking and assuming that once I get past this emotional hurdle, publication and monetary success will fall in my lap. I'm  not.

I'm just trying to release myself from a very old fear. I want to believe that I can embrace what I believe to be my right identity and not suffer the horror of God's abandonment. I want to believe that what I will hear instead is, "This is my beloved daughter, in whom I am well pleased."

Thursday, April 9, 2009

Spring Planting


In Northern Illinois, the weather is not allowing us to do any planting yet. Apparently, my subconscious lives in hope because this is what it gave me.

SPRING PLANTING

Crumbling soil, this stuff of which I’m made,
sweetly scented like well-decayed compost,
richer than Oreos crushed for the crust of a cheesecake,
and wet with spring dew so that my jeans grow muddy
and cling to my knees with clammy kisses.
The ancients saw Earth as a goddess,
and I’ve come to impregnate her
with seeds for a later harvest
but before that act of love,
I thrust my hands into the soil,
abandoning myself to joyful foreplay,
rejoicing in the coolness of an earthworm
gliding between my fingers
and the solid connection of earth beneath my nails.
Ashes to ashes, dust to dust, I think
and for a tiny instant, that prospect seems glorious.

Tuesday, April 7, 2009

Hemming Myself In


I found that going public with my blog questions the other day helped me to sort out more of what was going on. Because of the black and white thinking with which I was raised (in both family and church), I can still be very legalistic with and hard on myself. One reason I've struggled so much with blogging is that I was searching for some sort of perfect "rule" for how much I would blog and when. I started by posting every day and then after a few months went down to six days a week. I kept that up for weeks even when I was working extra jobs.

Then when I started the Artist's Way, I said I'd post 3 or 4 days a week, and I've felt that I had to keep to that because I'd "given my word." But of course, no one is sitting around marking things down in a little notebook: "Hmmm, Ruth only posted three times this week, and she went three days without posting at all." In reality, the only expectations I'm fighting against are those inside my own head. (My husband says that I can turn almost any hobby into work.)

For now at least, I've decided not to decide. I'm going to try to give myself permission to be random and unpredictable, and then see if I can live with the tension of that. I'm going to try to make this blog a more organic thing, to post when I want to post and to leave it alone when I don't. If that organic process creates enough posts for the blog to continue, then I will be glad because I truly don't want to throw away a year of relationships and of creative effort.

I thank those of you who empathized with the tension I was feeling. It helped to know that others struggle with the question of what it means to be a good blogger.

(Editorial note: I've deleted a paragraph here that was based on a misunderstanding. If you read it in Google reader, please know that the issue was resolved.)

Sunday, April 5, 2009

The Report on Reading Deprivation

So I've finished my reading deprivation week. I didn't do it perfectly. For my freelance job, I had to do research and also a lot of reading of a book in pages so that I could make editorial corrections. In my daily life, I read instructions when I needed to. And I slipped and caught myself reading articles a couple of times, although I stopped by the second or third paragraph. 


Probably the hardest part of the reading deprivation came after I posted the Minefield poem last week. I desperately, desperately wanted to read Sylvia Plath's poem "Daddy," just to reassure myself that I wasn't the only writer who dared to criticize a parent. But I didn't. I just lived with the tension.

I don't know if it was because of the reading deprivation, but I had an enormously productive week as a fiction writer. Thursday night, I sat down to start a new short story, and I wrote 13.5 pages longhand without stopping. Friday, I typed what I'd done so far and added a page. Yesterday, I finished the draft, and this morning, I tweaked the ending to something I liked better. It is a 6,000 word story, and I wrote it in four days. I don't know yet if it's any good—it's still much too raw to tell and I will need to let it sit for a while and then edit it before I can evaluate whether it's a story that deserves a market or just something I had to do as a writing exercise. But one thing I do know is that this story was one that I psychologically had to write.

One of the things I did recently was to do a sort of reality check. Because of my own particular set of emotional baggage, I've always gotten discouraged about my writing much too easily. Frequently, I've gone for a couple of years at a time without submitting anything to markets or agents. When I look at the number of times I've been published—5 short stories in about 25 years—I get depressed and say to myself, "See, the world isn't interested in what you have to say." But when I look at the numbers from another angle—5 short stories published out of somewhere between 100 and 150 submissions—I suddenly realize that I haven't done so badly after all. If I had been writing 10 to 12 stories a year for the last 25 years instead of 1 or 2, I might have made a name for myself by now.

Which leads me to a question that I've been putting off for some weeks now. I don't know what place this blog will have in my life, considering the direction that my writing is taking. I probably have 10 or 12 hours a week to split between the blog and my fiction, and in a week like this one when I wrote an entire story, I just don't have much time or energy to post here. I have enjoyed the blog, and I am so grateful for the support you all give me as a writer. But no other kind of writing satisfies my heart the way my fiction writing does. (And I can't post my fiction here because most editors of literary journals won't want stories that have already been published on a blog.)

Maybe what I'm doing is just a normal evaluation of the blog; Easter Sunday will be my one-year blogiversary, so maybe this is just an anniversary-related taking stock. Or maybe I'm slowly drifting away from blogging because my priorities are changing. I don't know yet.

As I've been doing this Artist's Way program, a lot of issues and questions keep popping up. And I have a new aphorism I tell myself when that happens: "Don't analyze. Just listen." What I mean is that being coldly analytical has really never helped me decide on a direction for my life. Instead, I just have to listen for the Holy Spirit and my own intuition. I'll know when I need to know, and apparently, it's not a need-to-know priority yet.

So this isn't some kind of grand announcement that my blog is ending. I'm just letting you know the sorts of questions I'm asking.

Until I know for sure what I want to do, I'll keep posting several times a week and reading other blogs when I have time.

Wednesday, April 1, 2009

Just Playing Around


I've only had time to do three more sketches since the apple. This one is my favorite. I couldn't get it to photograph quite the way I wanted. If you click on it, you can see it a little more clearly.